...rather than the existential slobber I keep writing and posting, much (I'm sure) to everyone's dismay. I didn't want this to become a journal (today we went here and saw this, then we ate lunch, then we took a taxi because it was too far to walk) because it would be boring to write and even more boring to read. That said, I think that the 'major' sites that we saw in China really do deserve some explanation beyond a footnote in my cultural ramblings. We found it interesting that the entrance fees in China were particularly high when compared to other costs in the country. I know that the locals are on a totally different fee schedule, but we were surprised at how many 100RMB notes left our pockets every time we went to a site. (100RMB = $12)
The Great Wall
There are three places just outside Beijing to visit the Great Wall, and we picked the easiest and closest, Badaling. Our Lonely Planet and Rough Guide books advocate the others - less tourists, they say, and more opportunity to slip away from the guards and climb on the un-restored sections, perhaps going far enough to camp overnight. Since we had no desire to camp illegally and had limited time, we chose Badaling, but honestly, I don't know what was so bad about it. This is where everyone goes, so we got not only a visit to the wall but also the cultural experience of being one of very few white tourists in a huge group of Chinese. This part of the wall is clearly set up to accommodate their needs and wants, so the snacks are authentic and the shopping is the odd mix of cutesy and cultural that seems to be so popular in China.
The land outside of Beijing is flat, and the mountains that the wall coils over rise up quickly from the plain. We hired a private taxi from the hotel rather than take an all day tour that stopped places we didn't care about or take the tourist bus very early in the morning and paid far, far more than we would have to take the bus, but it worked for us, and having just flown in from Germany, we napped on and off in the taxi on the way there. We had our first glimpse of the wall not long after we entered the mountains; a bit of it snaked down the mountain, growing taller as it approached a gate or temple just near the highway, became a bridge and wound up the other side of the valley. As we approached it looked as though the whole wall had been painted - the entire top section was filled with moving, liquid color. A little closer and we could see that the wall was packed with people holding colored flags and waving them over their heads in unison. Red, blue, green - we think this was some sort of practice or commercial for the Olympics, spectacular in its effect.
The actual approach to the wall was a few miles further up the valley, a tourist mecca filled with busses, cabs, souvenir stands and an enclosure of bears very adept at catching apples with their mouths. Our cab driver bought us our tickets, insisting that we take the 'ride' to the top, a strange sled on rails contraption that we rode up slowly and down a bit more quickly. The wall itself still required a steep flight of stairs from us before we were on it, then more leg exertion to walk it - I think I was most surprised at how steep it was, and how difficult it was to climb the ridges. Wide enough for five horses to ride abreast, and much taller than I expected (a tumble off the top would be a nasty multi-story fall) the wall is impressive in its solidity and its symbolism. The ridges drop away steeply to both sides, particularly the 'outside' with its crenellated edge. Without explosives, it would have been quite difficult to breach, but the audacity of building it is more what struck me. It must have been a massive undertaking, and if that Emperor could see it today, I'm sure he'd loathe all the common tourists crawling on it.
Because of the way it winds around, there are magnificent views even while standing on the top, and in the distance the un-restored sections can be made out, crumbling mounds of stone and packed earth. Here, as elsewhere in China, serious effort has been made to restore, rather than preserve in ruin. Intellectually, I suppose I like the idea of leaving things in ruin, but the experience of walking on the wall, even if it has been shored up and isn't all ancient bricks, makes me think that restoration isn't a bad idea. Of course, it is just a wall, and you walk on it, and that's it. As Mike said, once you've climbed up onto it and taken some photos, there's a certain 'what next' feeling. We walked to the highest point of the section we were on and looked around, resting our legs before the decent and letting people squeeze Ponteuf. The scenery beyond the wall itself is wooded and, in late October, dotted with orange and gold, the craggy mountains in the distance forming a charcoal smudge backdrop for the sinuous line of masonry winding away from us.
Entrance: 60RMB, 40RMB for round trip 'sled'
Taxi: 800RMB, round trip with driver waiting for us while we were on the wall
The Forbidden City
I hate to say this, I really do - but it is the most apt description of the place that I can come up with: the Forbidden City is forbidding. Separated from the rest of Beijing (which surrounds it completely and thickly for miles and miles) by a wide moat and extremely high walls, it was, for hundreds of years, the domain of the imperial court and completely off limits to anyone not directly associated. Access was strictly controlled, even to the level of who could go through which gates at which times: only the Emperor could walk through the central arch of the gate that faces Tiananmen Square. The central space is filled with a series of gates, palaces and open squares with names like Eternal Harmony; aligned on the east/west axis are the many palaces where the Emperor and his concubines actually lived, each enclosed by a wall with a small gate and courtyard in front.
But to the forbidding: the entire place is paved. With the exception of a few stray trees (and the garden at the back which was beautiful in its austerity) not a shred of anything green grows anywhere within the grounds. Growth not authorized by imperial decree was, apparently, not tolerated. The flagstone squares are vast: people on the far side look like miniatures and the steps are perfectly symmetrical and high. Right angles prevail and everything is balanced, but instead of being harmonious this ends up feeling oppressive, a rigid adherence to policy. With no visual break in decoration the eye has nowhere rest. The living palaces are separated from the main governing and worshipping structures (and from each other) by walls three times the height of a man, painted a dull, bloody red. No windows, no breaks, only occasional doorways that lead to tight alleys of that same hard flagstone, unsettling red wall. Huge, heavy doors close off parts of the compound completely with doorsteps almost a foot high and as wide and giant locks bigger than my head.
The audio tour related stories of court intrigue and history along with information on the buildings themselves; living here would not have been easy for many reasons, not the least of which the buildings themselves. Designed that way or not they clearly convey the Imperial mindset of complete control, of micro-management of people and of seclusion as a means to power. Fascinating place to visit (our four hours there didn't allow us to see everything) but oppressive. As we walked through the back gate and crossed the moat, I took a deep breath and felt lucky to have escaped unscathed.
Entrance: 60 RMB
Audio Guide: 40RMB (with 100RMB refundable deposit)
The Terra Cotta Warriors
In 1976, a farmer outside Xi'an was digging a well - and stumbled into stardom. Today, he sits at a table in the very shiny gift shop at the Terra Cotta Warrior museum complex and signs books, looking bored and a bit bemused. His hands are noticeably free of dirt, and he doesn't look too concerned that his well - indeed his entire farm - is now covered by a vast airplane hangar housing the terra cotta army of Emperor Qin Shi Huang.
The warriors are a good distance outside Xi'an proper, along a road that is an odd mix of new modern industrial and old school farms and roadside stands. Mini-mountains rise up at odd intervals, but they're not natural - these are the tombs of old emperors, most unexplored. We got smart in Xi'an and managed to take the tourist bus: for $1 each we rode out to the site in a bus held together by baling wire and duct tape, clearly the only white people brave (or stupid) enough to try. Incidentally, the further we went from Beijing the more of an oddity we were, and it struck both of us as odd that the only other 'whiteys' we saw were Russians. That, we decided, was a sure sign that we were far from home.
I had expected very little from the warriors. After all, I'd seen the photos, and they were a bunch of clay statues in a pit. Interestingly, it was the statues, in person, that moved me, while the Great Wall didn't feel particularly more impressive than it does in photographs. Each statue is an individual person, modeled after someone in the emperor's army. They all have a specialty - foot soldiers, cavalry, archers, captains. Their dress is different, their hair is styled differently - and they are life size. The main view, from above in the first of three hangars, is impressive because it illustrates the sheer size of the army. Only about 1000 figures have been rehabilitated; the rest still lie in a jumble of pottery fragments cemented in dirt. The army had been assembled in trenches and covered with wooden boards, then with dirt, but a fire set by the successive emperor destroyed the wood and caused a general collapse: only a few figures have been found intact.
On stepping lower, to the walkways alongside the army and closer to its level, the individual features become clearer, and I felt as though I was reviewing a group of real troops. The features are surprisingly clear and perfect, a testament to the skill of those long ago sculptors of clay - even the hair is realistic. When the warriors were uncovered, they were painted: bright green tunics, black armor, yellow sashes. The colors faded within a week, oxidizing upon contact with air and giving the men their current reddish tone, but some still have traces of their past glory. Our guide told us that researchers are looking for a way to preserve the paint, so some pits are deliberately not going to be opened until they can restore the men without turning them terra cotta. When that happens, I'm going back to Xi'an. So lifelike as they are now, I expect that with color, the soldiers might just walk out of the pits and say hello.
Entrance: 90RMB
Private Guide: 120RMB
Bus: 8RMB, one way
The Giant Pandas
Chengdu is the jumping off place for Tibet and a bit off the tourist-path; as I've mentioned before, English knowledge was scarce. We gave ourselves a little more time to eat Sichuan and see the Giant Pandas - the breeding base in Chengdu is the most successful in the world and I figured when in China...
We took a tour offered by our guesthouse, arriving at the panda park when it opened at 8am. The fog was still heavy on the ground and the bamboo groves we walked through to get to the panda enclosures were silent and shadowy, nothing more than slender green suggestions hidden in gray. Signs all over the park urge visitors to keep quiet, but as we walked we could hear someone yelling (it sounded impatient and repetitive) in Chinese. Rounding a corner, we saw that it was a keeper - and he was talking to a panda who couldn't be bothered to eat the huge load of bamboo that had just been delivered to its enclosure. All the literature says to visit early in the morning because the pandas are most active when fed, but if this was active, I'd hate to see lethargic.
Honestly, for all the fuss about the panda, they are possibly the least interesting animal to watch (though the koala comes in a close second). Huge and round and slow, they munch bamboo, roll around on their platforms and generally look at the world with a vacant gaze. We moved on to the next enclosure where the two pandas were actually eating, sitting up and grasping at bamboo with their almost opposable thumbs. They were slouched forward like they had no backbone and would occasionally roll around lethargically - but I had to admit that they were cute. Giant stuffed animals, honestly - kind of dumb and sweet looking. Further walking did reveal one trotting, one climbing out of a tree and a few doing more of the roll around maneuver. In the panda nursery were a pair of cubs that were stuffed animals, I swear. Those pandas made me think there might be something to this gooey panda adoration that the center is both promoting and capitalizing on. Its breeding track record is impressive, though the museum (strong on the worst taxidermy I've ever seen) does a slick job of passing over just WHY the panda is in decline and just WHY its habitat has shrunk to nothing.
The giant pandas, though had nothing on their smaller, red cousins. Sized like very big and fuzzy cats, the red pandas seem to be what would turn out if a cat, a raccoon, a fox and a lemur were shaken hard in a big bag. Little white masks and white tipped ears, black underbellies and rust colored backs leading to ringed tails - the coloring is only a bonus: these guys are playful. They ran, jumped, rolled, fought, danced on hind legs in front of the keepers, chased each other - for all the lethargy of the giant pandas, the red panda paid us back in spades. They may not have been printed on the tickets, but they stole the show.
Panda tour・ 70RMB (included r/t transport, entrance tickets and breakfast snack)